Zulfi’s realist paintings on display at Tanzara Gallery

Published in Pakistan Observer (18 Nov. 2011) 
Sana Jamal 

ISLAMABAD: Tanzara Art Gallery’s latest exhibition that opened on Thursday features contemporary realist paintings of Zulfiqar Ali Zulfi, who has wonderfully captured landscapes, and urban scenes. 

The art exhibition of the Lahore based artist comprises of 31 paintings, which flawlessly reflect the serenity of the rural side of Lahore as well as the vibrancy of the urban life of the city.

Zulfi’s rich canvases explore diverse dimensions of realism. The presence of trees, clouds, and rivers add the element of simplicity, depicting nature as well as the serene life of countryside. While the carts, pedestrians, banners and architectures are the accurate depiction of modern day life. It is in fact the truthful description of the apparent world, which sets the realist painters apart from rest. But what makes the paintings of Zulfi sacred, is the way he paints the four seasons as one can feel the element of spirituality germinating from his work. Zulfi’s works contain a gentle feel of each season depicted in the artworks. The presence of gentle wind, and light pouring through mist, the slight movement of leaves or waves in the river, is manifested in his paintings.

Zulfi experimented with mist three years ago and was fascinated by its romance. Enfolded in mist even the ugly appeals to the aesthetics of the artist and consequently to the viewer as well. But what Zulfi paints are scenes from the Punjab, especially Dera Ghazi Khan which is still alive in the deep down recesses of his unconscious. He was born and had his early education at Dera Ghazi Khan and then left the town at a tender age. Zulfi, a keen observer of nature, noticed romance in mist and then he found soft light when the mist was washed away by winter rain. He felt the beauty of it and started painting the light. These were progressions on his canvas not by design but by a natural process. 

According to Marjorie Husain, “Zulfiqar Ali Zulfi is a painter of the landscape genre with two decades of painting to his credit. In Zulfi’s paintings it appears we are all observers. Often standing on the threshold of light. Almost grisaille in his approach to the media, he is a master of chiaroscuro, mornings are cloaked with mist, the tall trees dramatic, leafless silhouettes.”

Japan’s Hidden Beauty revealed in pictures

Published in Pakistan Observer (17 Nov. 2011) 
Sana Jamal 

Islamabad - Black-and-white photographs of Kijuro Yahagi, a Japanese photographer, may not have the eye-catching luster, but the pictures reveal Japan’s true beauty hidden in nature. The window to Japan’s beauty is accessible for Pakistanis, as the photographs by Kijuro Yahagi have been put on display at National Art Gallery, Pakistan National Council of Arts (PNCA) on Wednesday. The travelling exhibition has toured China, Canada, France, Iran, Malaysia, New Zealand, Russia, Sri Lanka, Turkey, Vietnam, and USA. 

The exhibition titled “Hidden Japan” was organised by Embassy of Japan and the Japan Foundation, in collaboration with PNCA. Mr. Akira Kono, Charge d’Affaires of Embassy of Japan inaugurated the exhibition, while Tauqeer Nasir, Director General PNCA and Musarrat Nahid, Director Visual Arts PNCA were also present. Speaking at the inauguration ceremony, Akira Kono said that “the photographer has interspersed surrealism in such a way that even the ordinary elements of nature have become significant.” The photographs “capture the images that are centered on the mixing of nature’s elements into modern Japanese life, and at times into cosmopolitan aspect of the country” he added. 

The exhibition introduces 85 black-and-white photographs selected from the book “Hidden Japan– Shizen ni Hisomu Nihon”, a collection of photographs taken by Kijuro Yahagi. Yahagi undertook a valuable journey throughout Japan and travelled 20000 kilometres visiting places such as Tokyo, Fukuoka, Nagasaki prefecture to explore the true Japan. Yahagi has explained his work in these words: “In gazing at the nature of Japan as it is, the present state of the country emerges through my photographs.” 

Talking to Pakistan Observer, Toshikazu Isomura, Counsellor of Embassy of Japan said that “the images not only reflect a modern Japan but also the strong ties of Japanese people with nature.”

Yahagi’s collection of hidden Japan represents two diverse aspects of Japan. The modern Japan includes buildings, modern architecture, and city road networks. While the traditional aspect comprise of temples, landscapes, rock gardens, mountains, traditional Japanese architecture. Each exhibited picture brings to the surface glimpses of various aspects of Japan. 

Yahagi's photographs demonstrate an intense relation of human and nature. The mountains, fields, dam, river, trees in the picture, on one hand, reflect Japanese people’s creativity and their intense adoration of nature. Whereas the same picture also illustrates the scenes of destruction of nature, as in the words of Yahagi: “I could almost hear the sad voice of nature when he witnessed the scars left by construction projects.” 

Pictorial icons of Urban Social Disorder

'Karachi Kahaniyan' opens at Khaas Art Gallery 

Published in Pakistan Observer (2 Nov. 2011)
Sana Jamal 

Islamabad – Moeen Faruqi’s latest exhibition at Khaas Art Gallery, that opened on Tuesday, precisely captures the consequences of urbanization such as stressful life, social disorder and identity crisis. The rich colours portray the beautification of apparent lives including homes and attires, as one leap towards the urban lifestyle, while the eccentric facial expressions of the human beings depict the emptiness inside one’s heart as one move away from the traditional way of life. 

Man. No. 1

Several artists and art lovers of the city gathered to witness Faruqi's vibrant pallette and stylized figurative paintings as the Karachi based artist has exhibited in Islamabad after many years. An interesting painting titled ‘Karachi Kahaniyan’ remained the center of attraction. By adding multiple subjects and objects, the artist has not only made the artwork appealing but also confusing at the same time as it is hard to focus on one story. The artwork perhaps explains the artist’s idea of the Karachi city, a city mostly known for its liveliness, affluence and less known for being the most populous city of Pakistan. 

The art exhibition is appropriately titled Kahaniyan (Stories) as each canvas tells a different story of the daily life of a modern man, so that viewers may interpret it according to their own view of life. Strong primary colours in acrylic and oil, though give an impression that the people in Faruqi’s figures are living a delightful life full of colours, but their hollow eyes, and stone-faced expressions suggest that they are rather devoid of human emotions.

'The Family'

His stylized figurative works are narrative; hence titles are an important feature in his practice. However, the artist says that his work is still very much open to interpretation. The protagonist in his paintings, usually staring out of the canvas, represents himself. The paintings titled as ‘Man No. 1’ and ‘Woman No. 2’ are in fact the pictorial icons of a confused person living a modern yet insecure life and hence facing social disorder. While the painting titled ‘The Family’ represents the uniqueness of each individual, even though the person may be living with the family, having diverse values. The artwork indicates towards the urban lifestyle which has added to the confusion of young souls who have a unique lifestyle to follow but at the same time they are connected to the family, which is their true identity. 

According to Marjorie Husain, an art critic: since his first exhibition in the eighties, Faruqi has explored human beings as mute prisoners of their innermost feelings depicting subjects living in close proximity yet emotionally far apart.
Moeen Faruqi is one of Pakistan's prominent artists, having exhibited widely in solo and group exhibitions all over the country and abroad. His work is part of several private collections worldwide, and has been cited in several books on art in Pakistan. His writings and poems have appeared in literary journals internationally.

Sufism showcased in exhibition at Nomad Gallery

Art Exhibition: Colours of love and peace 

Published in Pakistan Observer (1 Nov. 2011) 
Sana Jamal 

Islamabad – The challenges of the modern world maybe numerous, but through his vivid artwork, Mohsen Keiany, has offered simply one solution to diverse problems – the message of Sufis. In his latest exhibition at Nomad Art Gallery by Mohsen Keiany, a Britain based Irani artist, has used rich colours, and figures interwoven with poetry to convey the message of love, peace, and humanity to respond to the mounting challenges of extremism and racism all over the world. 

What makes Mohsen's paintings exceptional is the fact that along with vivid colours and figures, the artist has incorporated verses in Nastaliq. As the beautiful hues of blues, oranges, reds and yellows give a serene look to the paintings, the remarkable calligraphic work adds a mysterious touch to the artworks. The text though illegible, is Persian poetry by Hafiz, “I use Divan of Hafiz as the prophecy, which gives me guidance to answer my questions and gives me direction” maintains the artist. 

A particularly beautiful painting by Keiany is titled ‘Spiritual Discussion’ and depicts a group of Sufis sitting around a small fire with a woman, and most of the figures in the painting are looking at one another, immersed in deep discussion. “The attention to detail given by Dr. Kieany is commendable while another noteworthy aspect is that he has managed to incorporate a musical instrument in nearly every painting” commented Nageen Hyat, curator of the Nomad Art Gallery. An equally beautiful painting ‘Narges’ is done in hues of orange, reds and yellows.

Mohsen Keiany was born in 1970 in the city of Shiraz, ancient city in southwest Iran, which has been historically renowned for its eminent poets and Sufi masters, most notably Hafiz Shirazi, Sheikh Saadi, Mansoor Hallaj and Baba Kohi. And this is perhaps the same city, the city having clustered building with domes which can be seen in Kieany’s artwork.

Most of the painting depicts several characters and various feelings in a single canvas thus narrating different stories to the viewers. Along with people, the paintings in oils, often illustrate horses and goats which shows the connection between nature and human beings.

The human figures particularly man, woman and children wear traditional Persian dresses, playing flute and sitar, seems to be ignorant to the world around and are perhaps in a trance which helps them achieve spirituality.

Historical and cultural influences of Persian era are quite evident in his paintings, which tell that Mohsen's inspiration mostly comes from Persian mythology, Sufi Mysticism, Persian architecture and Islamic art particularly traditional Persian miniature painting and the landscape of Iran.

Winter brings fear and joy

Published in Pakistan Observer (25 Oct. 2011)

Sana Jamal 

Islamabad – With the first chilling winds of the season, the cold weather has made its presence felt in the capital city quite raucously, sending alarm and fear for have-nots and delight for haves. Those who can afford it, have already prepared for the season, and have brought out their woollies to cope with changing weather conditions. In contrast, there is a big proportion of Pakistanis including the flood-affected people and Internally displaced persons (IDPs) who are taking the change as a threat and challenge to their lives. 

For some, the changing season may bring joy, compelling them to savour the delights of winter food such as dry fruits, soups, coffee, chocolate and milk, and inducing them to plan a trip to a nearby hill station to witness the snow fall. But for those homeless, flood-affected people who still await badly-needed relief goods and gears, winters are not only uncomfortable, but potentially dangerous. According to National Disaster management Authority, more than 8 million people of Sindh have been affected by the floods 2011.

At the same time, those affected by terrorism and/or war on terror in KPK and tribal areas are equally threatened by the hard-hitting weather which is considered as their utmost enemy. Recently some hilly areas including Neelum and Leepa valleys received first winter snowfall, which increased the intensity of cold in the surrounding areas, including Islamabad city. 

 “Winters are in fact my favourite season out of the four, and we are planning to take a trip to Murree this season to enjoy early snowfall” said Saira cheerfully, who seemed secure in pretty warm clothes. But only a few blocks away near Chak Shehzad farms, where Saira was seen bicycling, an unfortunate little girl was busy in gathering woods. Describing her activity, Farzana, 10, told that as “the nights are becoming too chilly, the blazing woods are our only shield against cold winds.” Farzana wore a partly torn shirt and was busy in search of planks with a group of children of her age. Farzana’s narration point towards the two faces of winter in federal capital. 

As the cold, gray winter days draw nearer, the well heeled citizens of Islamabad set out to splendid shopping places in search of a winter wear that shows their classy look as well as keep them safe, which includes wool sweaters, coats and leather jackets; whereas the middle class and lower middle class rush to landa bazaar to secure them from chilling weather. These bazaars, full of cheap and second hand clothes are said to be the poor man’s shopping paradise. The increasing number of have-nots, who would be struggling to surpass the harsh weather with little available resources, not only demands the attention of the authorities but also of the haves.

In search of Cultural Identity..

Art exhibition at Hunerkada opens

Published in Pakistan Observer (16 Oct. 2011)
Sana Jamal

Islamabad – A thought-provoking exhibition of drawings, followed by a video presentation was held at Hunerkada Art Gallery on Saturday. The latest art exhibition by Asma Arshad Mahmood, a Toronto based artist, portrays her effort to connect the dots of identity with lines of culture and origin. Complicated subjects such as politics, religion and history emerge as the voice and images of her work. 

Canadian High Commissioner Ross Hynes graced the occasion, while Jamal Shah, the Chairman of the Hunerkada College was also present at the opening day of the exhibition. Canadian High Commissioner Ross Hynes appreciated the artist’s effort and said that promotion of artworks and cultural exchange could help strengthen bilateral relations between Pakistan and Canada. 

Asma's recent exhibition depicts search of her own identity as a Muslim woman in post 9/11 world. Speaking at the occasion, Asma Arshad, the artist explained that her current work is inspired by “issues of time, desire, feminism and cultural identity and the mechanics of immigration in 21st century.” 

The artist has used images, metaphors, and traditional techniques to evoke the ideas of migration, integration, rejection and assimilation. “My intention was to address the current difficult issues of identity facing my community by creating a faux traditional painting style that borrows from historical and classical miniature paintings.” The artist believes that rigid religious and political beliefs have sharply bisected the identities of people like her, who try to balance life in contemporary society.

In one painting, the misguided suicide bomber is heading into his mission thinking of fornication with promised virgins. “I see this painting alluding to the mass media fascination with the idea of Jihaad.” But in fact, by representing Islam as a culture of extremists, ordinary Muslims have been deprived a voice, not only in the foreign countries but also in their native lands. “They are denied a political identity” she added quoting Edward Said.

Gallery Louvre’s vibrant entry in Islamabad

Published in Pakistan Observer (15 Oct. 2011)
Sana Jamal

Islamabad – With the largest solo exhibition of Pakistan’s renowned artist Ahmad Zoay, Gallery Louvre has stepped in Islamabad’s art and culture scene.
“Gallery Louvre is a new comer to the capital but has been part of art scene for over a decade” told Salim Lalani, one of the curators at the gallery. The first Louvre entity was launched in 1999, in the heart of Karachi city, and since then, it is regarded as one of the recognized names in the art galleries of Pakistan.

The gallery, located in the posh area of the capital city, has carefully selected the recent works of Ahmad Zoay for its first exhibit, as the bright multi-coloured canvases not only refreshes the soul but also leaves one with a very pleasant feeling for a long time. The art show that opened on Friday evening would continue for a month.

Talking to Pakistan Observer, Alina Saeed, the curator, termed the exhibition as Zoay’s largest-ever, featuring a bold and dazzling collection of paintings that offer glimpses of the labour of love of a master painter, whose work has matured over a period of 37 years.

Artist’s twenty fourth solo show comprises of 46 vibrant paintings that are culturally relevant and his concepts are contemporary in their approach. His strokes pulsate against the canvas to invoke a fable of female that been long lost in occidental illusions.

In the words of Marjorie Hussain, an art critic: “exuberant blending of opulent shapes and dazzling color combinations are the signature components of Ahmad Zoay’s work. His lush figures are created from the sweeping lines of impasto dots and marks that from traces of ethnic patterns articulated with definite feelings.” Zoay's images are intense, referring to an elemental passion that transcends human emotions.

Born in 1947, Zoay possesses a unique vision of the world. Transferred on canvas, this vision is extremely bold and colorful with strong sweeps and dots which form both living shapes and objects that leave an everlasting impression.

Art lovers take delight in the new Gallery Louvre in Islamabad,
showcasing the artworks of Ahmad Zoay.

Artistic dialogue between Berlin and Karachi

Exhibition “Through my Eyes - Soul of Pakistan” 

Photograph by Hameed Moinuddin, put on display at
an exhibition “Through my Eyes – Soul of Pakistan”.

Islamabad – A photo exhibition titled “Through My Eyes – Soul of Pakistan”, featuring around 50 photographs shot in Karachi by a Pakistani photographer, Hameed Moinuddin were put on display at Art Hall, Kunstklinikum in Berlin on Tuesday, October 12, 2011.


Hameed’s inspiring photographs have been beautifully integrated with poetic texts, which are written by Maria Dost, a Berlin based author and photographer. Her poetic expressions, along with the pictures, are articulated in such a way that gives an impression of artistic dialogue between Berlin and Karachi.

The week-long exhibition has been organized by Pak-German Council for Culture and Democracy which aims to improve the Pakistan and German relations. The Council promotes cooperation in the fields of culture, democracy and community work by a constant dialogue, in the form of seminars, exhibitions and festivals in Germany and aid projects in Pakistan. It also aspires to raise the mutual understanding between both countries as well as to bring together people with different backgrounds.

Hameed Moinuddin travelled from Pakistan especially for the exhibition. Hameed was born in England and has been living in Karachi since his early childhood. It was during this time that he discovered his passion for films and particularly photography. His first camera was a gift from his father and since then the camera is his permanent companion.
Hameed’s bond with Maria Dost was strengthened due to their shared love for the picture and also by daily dialogue. Maria was born in Leipzig and is living for many years in Berlin. After the fall of the Berlin wall she came across theatre and cinematography and for many years she is working in the field of documentary. Later she discovered her love and passion for writing and photography In Hameed's photographs one can feel his love for the people, the intimacy, feeling their trials and tribulations.

‘Stay with me, just for the time, sharing a smile.. hold me, just for a moment, speaking a word .. hold me, just for the trice, of memory .. sticking on your eyes, holding your hands, being aware, of your being.’ These words of Maria on one of the pictures by Hameed, depict an untidy girl peeking at the onlooker, but if one looks into her gloomy eyes, it appears that her eyes tell a sorrowful tale of solitude.

Reflecting Age of Neo-Colonialism through Art

Published in Pakistan Observer (11 Oct. 2011)

Sana Jamal

Islamabad – Since Art is considered a reflection of the society, the changing times and consequential circumstances seem to have greatly influenced the artists of our times. One such artist is Amin Rehman, who excels in employing textual expression in his artwork. Amin’s latest art exhibition titled ‘White Wash: Art in the Age of Neo-Colonialism’ opened at Rohtas Art Gallery in Islamabad on Monday.

The exhibition was inaugurated by Canadian High Commissioner Ross Hynes and his spouse Madame Vanessa Hynes, who greatly appreciated the work of the artist. The exhibit attracted scores of art lovers from the city particularly foreign diplomats, because the art show has something different to offer. Amin has used text as a language for his paintings, literally using sentences as the subject of his artwork. And that’s what makes the artwork unique as compared to other art exhibitions where the viewers appear perplexed while trying to decipher the obscured meaning behind the artist’s endeavor.

The line “Imperialism does not stop being necessary just because it become politically incorrect” and most of the other phrases in the artworks make it clear that the subject explored in the artwork is global capitalism, which may be considered as boon for some, but the artist believed that the system has created sharp disparities in the lives of people across the globe in the age of globalization.

Talking to Pakistan Observer, the Canadian Pakistani artist, Amin Rehman told that he has made use of the power of language and textual expression to alter personal ideologies through language translation. His works advanced from simple transcription of random thoughts, to conscious actions upon text to embody a different content instead of invoking the conventional and problematic ‘meanings’. “By investigating the use of neo-colonial language, Perso-Arabic scripts and intertwining Islamic Calligraphy with English, I take despotic identity into a contemporary art practice” Amin said.

Faiz remembered as a symbol of Hope

Umeed-e-Sehar ki Baat Suno
Published in Pakistan Observer (5 Oct. 2011)
Sana Jamal

Islamabad – Faiz Ahmed Faiz was remembered as the symbol of hope, heroism and constant struggle for the people of Pakistan particularly for the youth and oppressed class by the academics on Tuesday.
The poetry of Faiz was depicted in the form of mime act and musical performances by the students of the University of Gujrat (UoG). The event titled Aik Shaam Faiz ke naam (an evening dedicated to Faiz) was organized by UoG, in collaboration with the, Higher Education Commission (HEC) and National Testing Service Pakistan NTS.

Students presented an impressive mime performance themed on the great poet’s optimistic poem “Umeed-e-Sehar ki Baat Suno” (Hark to the hope of the dawn). The act, portraying the efforts of Faiz in bringing revolutionary changes in oppressed society through his poetry was highly appreciated by the fully attentive audience.

Haroon Habib, lecturer at UoG told that “the performance is based on the struggle period of Faiz how he was arrested in Rawalpindi conspiracy Case” and added that through the show, the students wanted to portray similarities between past and present “as we are currently suffering the same oppression which the people had faced two to three decades ago.”

Memory Lingers On: Remembering Victims of 2005 earthquake

Published in Pakistan Observer (8 Oct. 2011)
Sana Jamal
Islamabad - Six years later, since the massive earthquake struck northern Pakistan in October 2005, the heart-rending reminiscences continue to live on in our memories. The day is a memento to remember those who lost their lives and loved ones, and also to pay gratitude to those individuals, organizations and governments who offered assistance for relief and reconstruction work in the affected areas.

Today, special ceremonies and prayers will be held all over the country, particularly in Balakot, Muzaffarabad and Bagh to pay homage to thousands who were injured and displaced due to the calamity. Though the suffering in the aftermath of the earthquake was of unimaginable proportions, but the calamity also brought out a positive aspect of the nation, proving that Pakistanis are rightly considered one of the most charitable nations in the world.

To commemorate 6th Anniversary of the 2005 Earthquake, a photo exhibition has been arranged in Islamabad commemorating the victims of the devastating earthquake and highlighting the relief and reconstruction efforts. The exhibition, jointly organized by the U.S. Agency for International Development (USAID) and Pakistan’s Earthquake Reconstruction and Rehabilitation Authority (ERRA) at the Pakistan National Council of the Arts, is an endeavor to remember the 2005 Earthquake and highlight the relief, reconstruction efforts by Pakistan and United States. It is also a reminder for the authorities to focus on preparing for future possible disasters.

The exhibition includes photographs and children’s drawings both of the tragedy and subsequent reconstruction work in the affected areas. While reminding the people of the catastrophe, the photographs send one clear message to the nation: as the memories of the tragedy linger, we all should look forward to work collectively in order to rebuild with dignity and optimism.

Rediscovering the maestro Sadequain

Published in Pakistan Observer (4 Oct. 2011)
Sana Jamal

Islamabad - To relive the legacy of calligraphy art, and rediscover the work of Sadequain, one of the finest painters, a book launching ceremony and exhibition was held in Islamabad on Monday. The grand exhibition was organized by Pakistan National Council of the Arts (PNCA) in collaboration with Sadequain at National Art Gallery. The exhibition can be rightly called a visual treat for the art lovers as this is the second largest display of Sadequain’s magnum opus since his demise in 1987.

The ceremony started with a documentary on Sadequain made by PNCA in 1975. The book launch was followed by a presentation on the life and achievements of Sadequain by Dr. Salman Ahmad, a nephew of Sadequain and President of Sadequain’s Foundation of San Diego, California.

The book titled, “Mystic Expressions by Sadequain – an odyssey to exaltation with Ghalib, Iqbal, Faiz and Sadequain” has illustrations, which could be taken as interpretations of poetry of these famous poets by Sadequain. The illustrations of Ghalib were done in 1968, of Faiz during the 1970s and ‘80s, and of Iqbal during the 1980s.

The book also includes a comprehensive retrospect of his palette. “This book is the first of its kind, which presents a collection of Sadequain’s illustrations and interpretations based on the selected poetry of Ghalib, Iqbal, and Faiz while symbolizing a confluence of the most extraordinary talent of the art and Urdu literature” remarked Dr. Salman Ahmad.

Experts estimate that the renowned calligrapher produced over 15,000 art pieces but heedlessly lost most of his works. He did not even keep an inventory and the traces of most of his works do not exist. This is why “the Sadequain foundation has been engaged in exhaustive research to locate Sadequain’s murals, paintings, calligraphies, and drawings and to this day, the search continues” told Ahmad.

Good old family system is fast fading away

International Day of Older Persons marked 
Published in Pakistan Observer (1 Oct. 2011)

Sana Jamal

Islamabad – In this era of technology, with all its advantages, the traditional values and morals are at a greater risk of fading from societies, causing generation gap. This gap is leading to breakdown of traditional values, diminishing the centuries old difference between the eastern and western societies as regard to care of elder members of the family. Multi-generational families, distinct feature of East, are becoming a thing of the past in many modern Asian cities where today’s young people prefer to maintain their privacy and stay away from traditional united family system.

To the misfortune of elder generation, the western concept of nursing homes for veterans is emerging fast in Asian society including Pakistan where young are usually advised to take personal care of their parents respectfully.

According to World Population Ageing Report 2009, in Pakistan the elder population aged 60 or over has grown to 6. 1 per cent and Pakistan ranks at 122 as compared to other countries of the world.
The seriousness of this social factor reflected the concern of President Asif Ali Zardari and Prime Minister Syed Yusuf Raza Gilani in their messages issued to mark the International Day of Older Persons.

President, in his message, pledged to promote welfare and protection of older persons and assist them in becoming useful citizens of the country. He observed that “in Pakistani society, old age is a mark of respect associated with recognition of wisdom, experience and contributions to family and society and added that “our tradition of giving value to the cause of senior citizens will continue to be reflected in state policies.”
Prime Minister, in his message on the occasion, rightly noted that “parents and grandparents are beacon of light for the younger generation who can learn a lot from their experience.” He reminded that “our religion Islam puts special emphasis on the respect and dignity of the elderly,” ordain its followers to extend extreme amount of care, respect and love to the older persons.

The threat of neglecting the older people is reported increasingly in the urban areas of Pakistan where 65.3 million population live as compare to the adherence of traditional family system in the rural areas where 111.8 million people are located.

In the past the only way of learning was to participate with the older generation, work with them - that was the only way to learn. But according to a noted intellectual and Pulitzer Prize winning author, Professor Jared Diamond, “modern literacy means that we look up things in books or on the Internet - we don’t go ask an old person.” This is how modern literacy and its ties to technology are also putting the elderly at a disadvantage.

‘Hamara Yaqeen – Piyara Cheen’

Students hold peace walk to mark National Day of China
Published in Pakistan Observer (1 Oct. 2011)
Sana Jamal

ISLAMABAD – Chanting slogans ‘Hamara Yaqeen – Piyara Cheen’ students of Islamabad thronged the Parade Ground (D-Chowk) in Islamabad, on Friday, to endorse the Pak-China friendship. The peace walk was held on the eve of the national day of the People’s Republic of China to pay tribute to the long-lasting friendship.

The walk titled “Friends of China Peace and Harmony Walk” was arranged by different organizations including Islamabad Crescent Lions Club (ICLC), DEVCOM-Pakistan, All Pakistan China Friendship Association (APCFA), Sir Syed Memorial Society, Saba Trust, Islamabad Chamber of Commerce and Industry (ICCI) and Federal Directorate of Education.

Energetic beats of the bands played by the five groups of students, added liveliness to the peace walk, which was led by Akram Zaki, former Secretary General of Foreign Office, and Mian Habibullah, APCFA President.

Participants waved the flags of Pakistan and China, while a number of children showed up carrying placards with slogans: “Long live Pakistan China Friendship”, “Hamara Yaqeen – Piyara Cheen” (our faith, the loving China), “We are proud of Pak-China Friendship”, “Pak Cheen Dosti Zindabad”.

Addressing to the participants, Akram Zaki said that “youth is the hope of our nation”, and advocated that “Pakistani youngsters should be enlightened about the long journey of Pak-China friendship that is spread over 6 decades.” Commenting on the present situation of the country, he added that: “It is time when we need to reduce our reliance on the friends that have exploited our potential for their own vested interests. We need to stand on our feet. And China, which has emerged as a strong nation since its independence in 1951, can be a role model for us to excel in socio-economic sectors.”

WPC demands extensive role of women in Politics

Published in Pakistan Observer (30 Sept. 2011)

Sana Jamal
Islamabad - Following a round-table conference, a unanimous declaration was passed by the Women’s Parliamentary Caucus, on Thursday, calling for equal opportunities for women in the public and political spheres. The Parliamentarians also agreed to build consensus among their respective political parties to provide at least 10 per cent quota for women on winnable general seats before the next elections.

In the declaration, women parliamentarians paid glowing tributes to the brave women leaders of Pakistan particularly Fatima Jinnah, Rana Liaqaut Ali and Shaheed Mohtarma Benazir Bhutto whose courage and exemplary contributions in public and political life have greatly inspired, and empowered the women of Pakistan.

Women’s Parliamentary Caucus (WPC) recognized that the 17 per cent reservation for women in the assemblies and 17 seats in the Senate provided for in Articles 51 and 59 of the Constitution is “a significant step in empowerment of women in politics.”

Speaking at the conference on “Strengthening Women’s Representation in Political and Legislative Process”, Mir Jan M. Jamali, Hon. Deputy Chairman Senate highlighted the significant role women in the legislative process. Acknowledging the strong link between sustainable development, and role of women at the political and decision making process, he said that there is a “need to give a minimum of 33 percent women’s representation in the legislative assemblies.”

Women parliamentarians committed to protect and preserve the provision of reserved seats for women in the National Assembly, Senate and the Provincial Assemblies and also vowed to enhance and strengthen women’s representation in legislatures by working within respective political parties and elected representatives to increase women’s representation at all levels of decision making in the political forums.

Revisit of Foreign Policy urged

Published in Pakistan Observer (27 Sept. 2011)
Sana Jamal

Islamabad – In the wake of worsening Pakistan-US relations, speakers at a seminar on ‘security situation and role of media’ urged a diplomatic solution and revisiting of foreign policy. The interactive discussion on media's role, arranged by South Asian Women in Media (SAWM) at SAFMA center in Islamabad, soon turned into a debate on foreign policy of Pakistan.

Tanzeela Mazhar, representing SAWM, stressed that “media should not create hype and play a responsible role in developing a national consensus on foreign policy issues.”

Lt. Gen (R) Talat Masood, analyst, urged a “diplomatic solution to rising tension between Pakistan and the United States following US accusations against Pakistan armed forces.” He however noted that despite harsh criticism in American statements, there is a space for reconciliation. He observed that, “the relationship between Pakistan and US is going through a critical stage and both the two countries should revisit their policies to avoid strategic collision.”

Senator Talha Mahmood, Chairman Senate Standing Committee on Interior deplored that “Pakistan has sacrificed more than 35,000 lives and about 100 billion U.S. dollars in economic losses by aligning itself with US-led War on Terror.” He claimed that during last 10 years of cooperation with war on terror leaders, Pakistan has become a highly indebted country with 60 billion foreign debts. Recognizing the great spirit of friendship, Senator Talha lauded the role of Republic of China which has also stood by Pakistani nation in time of crisis and also wished stronger Pakistan. He also advocated that “Pakistan should foster its relationship with immediate neighbours who border this country rather looking at thousands of miles away to build strategic relationship.” Senator Talha also warmly welcomed the Prime Minister Yusuf Raza Gilani’s initiative to call All Parties Conference (APC) to develop a national consensus on current issues.

Hajj – a mean to strengthen Islamic solidarity

Published in Pakistan Observer (28 Sept. 2011)
Sana Jamal
Islamabad – Prominent Islamic scholars from around the world, on Tuesday, highlighted the real message of Hajj and advised the Muslim Ummah to close their ranks to establish a unified Islamic approach against serious challenges.

Speaking at the two-day international conference on “Hajj - Unity and Solidarity of Islamic Ummah”, organized by the Ministry of Religious Affairs of Islamic Republic of Pakistan and Cultural department of embassy the Islamic Republic of Iran, the Islamic scholars called for a united Muslim stand during Hajj. The conference was attended by a large number of Pakistani and Iranian scholars as well as intellectuals from countries including Afghanistan, India, China, Bangladesh and Tajikistan, are participating.

In the inaugural session, Mashallah Shakeri, Ambassador of the Islamic Republic of Iran in Pakistan, remarked that “Hajj offers a massive opportunity to Muslims to strengthen brotherhood among Muslim Ummah and especially brotherly countries, Pakistan and Iran.” Quoting Allama Iqbal, the ambassador recalled “Makkah ne diya khaak e Geneva ko yeh paigham, Jamiat e Aqwam ya Jamiat e Adam?”


Shaukat Hayat Durrani, Secretary, Ministry of Religious Affairs (MoRA) said that “as many as 180,000 Pakistanis pilgrims would perform the Hajj this year.”Explaining the numerous benefits of Hajj, he urged the Muslims to “adopt the real teachings of Islam their lives to face various challenges of the modern world including terrorism and sectarian clashes.”

Hujjatul Islam Ali Qazi Asgar, Amirul Haj (head of the delegation of hajj in Iran), and representative of the Supreme Leader for Hajj, in his address reminded that Hajj is more than an obligation, “it provides a chance to learn about the history of Islam, to study the noble character and moral virtues of Prophet Muhammad (PBUH) as well as the great companions of the Prophet in order to discover the true image of Islam.” He also advocated that “all Muslims of the world should unite on the occasion of Hajj to meet the challenges and face immediate threat, the way Western world has united for their own cause.”

Population management can help develop nation

Published in Pakistan Observer (27 Sept. 2011)
Sana Jamal

Islamabad – Manageable population can lead to progress of the country while the uncontrolled population rise can result in shortage of basic necessities of life. This point of concern was raised at national seminar on World Contraception Day held on Monday in Islamabad.
Key speakers at the seminar arranged by Planning and Development Division (PDD) Pakistan in collaboration with USAID and UNFPA included Senator Suriya Amiruddin, Chairperson of National Trust for Population welfare (NATPOW); Dr. Mumtaz Esker, Director General of PDD; Rabbi Royan, representative of UNFPA; Katherine Crawford, director of USAID's office of Public Health in Pakistan and Shahzad Ahmad Malik, Chief of the PDD.

With the motto: “Live your life. Know your rights. Learn about contraception”, the seminar was aimed to aware the young people about their rights to access to correct and impartial information about contraception in order to prevent unplanned pregnancies and sexually transmitted infection (STI).

Speaking on the occasion, the chief guest of the event, Senator Suriya Amiruddin noted that “with a population of 177 million, Pakistan is the sixth most populous country of the world” and added that Pakistan has the highest population growth rate in the world at around 2.05% and if the populace keep mounting with same rate, Pakistan is likely to become 4rth most populous country of the world by 2050.
“To address this serious issue, the population policy 2010 has formulated a strategy to reduce the rate to 1.3 per cent by 2013” she informed.

Dr. Mumtaz observed that “with the current maternal mortality rate of 276 deaths per 100,000 live births, infant mortality rate of 78 deaths for 1,000 live births, sincere and well-timed efforts are essential to achieve Millennium Development Goals 4 and 5.”
Linking the reproductive health with achievement of other goals, she said that “it is almost impossible to make Pakistan a land of peace and prosperity without a manageable population.”

Referring to the Pakistan Demographic Health Survey (PDHS) 2008, Dr. Mumtaz told that contraceptive prevalence rate is stagnant at about 30 percent and the unmet need for contraception still stands at 25 percent, which is lowest even when compared to other Muslim countries.

Structural changes in society stressed to offset VAW

Published in Pakistan Observer (25 Sept. 2011)

Sana Jamal

Islamabad - Women from South Asian region often experience and face gender inequalities due to rules of a patriarchal social system, which makes it difficult for women to seek their due rights as they have little support from the community and state. To address the concerns of survivors of violence, a number women rights activists from the region gathered at the South Asian Conference on Violence against Women (VAW) to review policies, and institutions in South Asia that have attempted to provide relief to women survivors.
 
The three-day South Asian Conference which concluded in Islamabad on Saturday (Sept. 24) was arranged by an Islamabad based NGO, Rozan. On the concluding day, the scholars recommended collective struggle to bring structural changes in the society and to introduce legislative measures to combat domestic violence against women. Delegates vowed to eliminate violence from society by addressing the interest of survivors and empowering them in the process, by engaging media.

Zahida Hina, a renowned columnist chaired the first session of the meeting, while others who spoke at the session included Urvashi Butalia (India), Myra Imran and Arfana Malla from Pakistan. The session highlighted the role that media can play in building a more responsive society towards incidences of VAW. The speakers were of the view that, while media has played a vital role in bringing out VAW cases, but at times media has violated its domain by disrespecting the rights of the victim.

The next session intended to draw upon the experiences of working with men and involving them to take affirmative action for ending violence against women. The speakers of the session included Bandana Rana (Nepal), Imran Rizvi (Pakistan), Dr. Santosh Kumar Giri (India) and Maria Rashid (Pakistan).

Artists depict the beauty of Potohar region

Published in Pakistan Observer (24 Sept. 2011)

Sana Jamal

Islamabad – A captivating exhibition titled “Hues from Potohar” that opened at Pakistan National Council of the Arts (PNCA) display the work of prominent artists from the Islamabad and Rawalpindi depicting the splendor of Potohar region. The art show is featuring over 120 paintings and sculptures, based on imagery, striking bright tones, landscapes of Potohar region and vivacious hues weaved by artists of exquisite skills.

“The exhibition is a homage to all those who had been instrumental enriching the hues and colours of the plateau and giving Potohar a unique character of its own” said Nahid Imam, artist and director of visual arts at PNCA. 

On the opening day, a large number of participating artists as well as art lovers gathered at the National Art Gallery to get a glimpse of the remarkable art pieces which truly depict the Potohar’s rich historical and cultural heritage as well as its geography. Dr. Marilyn Wyatt, wife of the US Ambassador to Pakistan was also present on the occasion.

“After visiting this exhibition, I feel more proud to be part of the Potohar region – the land of lush green fields, glittering lakes, holy shrines and architectural monuments” commented Dr. Imtiaz Rasheed, an art lover.

The works of veteran late artists are on display under the different title ‘Celebrating the Celebrated’ and includes names such as Ahmed Pervaiz, Zubaida Agha, Ali Khan Sajjad, Jamila Masood, and Ghulam Rasul. The exhibit features masterpieces of some of the prominent artists of Pakistan including Mansur Rahi, Hajra Mansur, Misbahuddin Qazi, Mobina Zuberi, Naeem Pasha, Nargis Khalid, Changez Sultan and Tabassum Rizvi. Amongst the contemporary artist are Aasim Akhtar, Farah Mehmood Rana, Kasar Iqbal, Mehmood Ali, Zahra Kazmi, Shahnaz Akram, Aleem Dad Khan, Ambreen Hayyat, Anjum Ayub, Beenish Khalid, Fauzia Minallah, Manail Muneeb, Natalia Tariq, Nusratji, Rabia Malik, Shazieh Gorji.

Gender Equality Impossible Without Help from Men: Plan 2011 Report

Published in Pakistan Observer (23 Sept. 2011)

Sana Jamal

Islamabad - Girls and women around the world can only win the battle for gender equality if boys and men in their lives join the cause to help improve their lives, says a new report released on Thursday in Islamabad. The report ‘Because I am a Girl: The State of the World's Girls 2011’ published by the children's rights organization Plan International, states that men of all ages - fathers, brothers, husbands - must play an active role if gender equality is to be achieved for girls and women.

Ms. Firdous Ashiq Awan, Minister for Information and Broadcast was the chief guest on the occasion. Realizing the fact that increasing numbers of girls are missing out on education in Pakistan, she said that, “federal government is taking all possible measures to improve this worsening situation.” Extending full support to girls, she remarked that “we can change the fate of nation by empowering our women by providing them skilled education. Because, in the society, you cannot get your rights of respect, better health and improved livelihood opportunities without getting education.”

Firdous Ashiq Awan showing copy of 2011 Plan Report
during the report launch ceremony in Islamabad.

The 2011 edition of ‘Because I am a Girl’, also poses a critical question, “So, what about the boys?” Haider W. Yaqub, Country Director Plan Pakistan said that “it is an accepted fact that empowering girls is a key to developing families and reducing poverty” but this year’s report acknowledges that improving girls’ lives and achieving gender equality won’t happen without the partnership of boys and men,” and of political and religious leaders, who are overwhelmingly male. As the report says, unless men and boys work alongside the women and girls in their lives, equal rights “will remain a distant dream.”

Children from slums of Islamabad and Chakwal also participated in the event and presented an interesting skit, depicting the narrow mind-set of parents toward their daughters' education which changed due to optimistic thinking of the male members of family. Two sisters Ifrah Wali, 16, and Amna Wali, 18, the first Pakistani female skiers to win gold and silver medal respectively, at the South Asian Games’ 2011 ski event were also present to boost the morale of young girls. “Like boys, girls have the same potential to struggle and achieve any goal but support from parents plays a decisive role in their success” they said.

Joint Struggle to counter VAW urged

Published in Pakistan Observer (23 Sept. 2011)

Sana Jamal

Islamabad - Speakers at a conference here on Thursday urged for collective struggle and structural reforms to challenge Violence Against Women (VAW) in South Asian countries particularly. The three-day South Asian conference on “Reclaiming Space: from victimhood to agency: State and civil society response to VAW” organized by Rozan in Islamabad was widely attended by women activists from all over Pakistan who were joined by delegates from India, Nepal, Bangladesh and Sri Lanka.

Mukharan Mai, the chief guest of session shared her own story from a victim of violence to a survivor and then an activist taking forward the movement for education of young girls. With the motto to “stop violence through education”, Mukhtaran weaved the struggle of VAW by educating not only women but also men in her region.

Rashida Manjoo, UN’s Special Rapporteur on VAW said that “violence against women is universal and its pervasiveness across the boundaries of nation, culture, race and religion points to its roots in patriarchy – the systemic domination of women by men.” She believed that there remains a “nexus between poverty, exclusion and violence against women” and lamented that in “many societies, domestic violence continues to be perceived both as socially acceptable and legitimate, and goes underreported.”

Addressing the inaugural ceremony of the conference, speakers shared the deteriorating situation of VAW in their regions, while highlighting the significant women struggles and achievements in the form of legal amendments.

Ms. Kamla Bhasin, a renowned Indian feminist activist criticised the system of capitalism and neo-liberalism, calling it “greed-based paradigm of development” which causes injustice as “capitalism creates victims of perpetrators through weapons which in turn create victims of violence.” Encouraging the women to unite to fight VAW, she clarified that “fight against violence is not fight against men”, adding that opposite of patriarchy is equality for all, which can be made possible through “change of hearts rather than change of bills in parliament.”

Speaking at the session, Dr. Hameeda Hosain of Bangladesh presented a picture of violence against women in Dhaka and shared the stories of the ill-fated women victims.